Catalogues, Reviews, and Articles

List, Larry and Wilson, Martha, Skin Trade. Exhibition catalogue.
        Published by P.P.O.W., New York, New York 2013

Stacey Goergen, “LongHouse Reserve Hosts Sculptural Exhibition,”
        Hamptons Magazine, August 23, 2012

Jennifer Landes, “Bonnie Rychlak: A Curator’s Work Is Never Done,”
        East Hampton Star, April 24, 2012

Ephraim Birnbaum, “Bonnie Rychlak at the Viewing Room,” Romanov 
        Grave.com, September 11, 2010

Ernst, Eric, "The Hamptons and Handstitching", Southampton Press, 
         June 14, 2007, B5.

Kramasky, Wyn, ed., About Drawing: A N.Y. Collection at Work, Yale 
         University Press, New Haven, Connecticut 2007

Bernstein, Fred, “On Long Island, An Artful Retreat from the Art
        Scene,” The New York Times, October 12, 2007

Compère, Rita, Decors: Architecture/Design/Interior. "Bonnie
        Rychlak Kunstenaars in New York. August/September/October, Belgium and Netherlands 2005, p. 94-97

Laurence Haggerty, Circa #105 Fall 2003. Review of group exhibition, 
        “H2O at Danese,” p. 72-72

Miller, Barbara, Artpapers, March-April 2003. Review of group 
         exhibition, p. 50

Isaak, JoAnna, H2O, 2002. Exhibition catalogue.

Kahn, Robin, editor, Time Capsule, 1995, “Creative Time.                             Encyclopedia of Women Artists.”

Conneres, Thomas, Sculpture Magazine, September-October 1994.               Review of Splice group exhibition

Kenny, Kay, Cover, April 1994. p.15

Raven, Arlene, "Well Healed: Three Shows Redefine Art,                             "Restoration," Village Voice, March 1, 1994, p. 88

Bell, Tiffany, Art News, May 1989, review of one-person exhibition at
          Rastovsky Gallery.

Morgan, Robert, Arts Magazine, May 1989, review of one-person
          exhibition at Rastovsky Gallery in February 1989

Morgan, Robert, Cover, September 1992, review of group exhibition
          at the International House, April 1992

Koplos, Janet, Art in America, February 1993. Review of group
          exhibition at Ferris Street.

Barry Schwabsky, Object/Image. Catalogue essay for Splice.  Group 
          exhibition at Northern Illinois University, DeKalb, Illinois. 
          Exhibition catalogue

Nancy Princenthal, 55 Ferris Street, Brooklyn, N.Y., 1992. Exhibition
          catalogue

Stephen Westfall, The Milky Way, Catalogue essay. Los Angeles: 
         Shoshanna Wayne Gallery, 1989

Julie Carson and Howard McCalebb, The Blue Angel: Stereotypes in
         Post-Feminist Sculpture, N.Y.: Longwood Gallery, 1987

Valerie Smith, Selections, N.Y.: Artists' Space, 1986. Exhibition
         catalogue.

Kelly Jones and Howard McCalebb, Sticks and Stones/Modern And 
         Postmodern Sculpture, N.Y.: Kenkeleba Gallery, 1984.                      Exhibition catalogue

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